I was dreading the Outside Lands music festival this year. And no, not because we can hear the booming bass notes three miles away at my house, where I was almost blown out of my rattan patio chair by the sound check.
No, I was dreading it because, for the first time, I actually had tickets.
Every year, my friend Laurie and her daughter Hayley stay in our downstairs guest room while they attend Outside Lands. I use the term “guest room” loosely, and those of you who live in San Francisco’s Sunset District know exactly what I mean. In this western part of the city, the (usually two-bedroom) Marina-style homes are built above garages that run the length of the house, and many of the garages have been partially converted into spare rooms. Most of the time, these rooms are not built to code and are unpleasantly dark and dank, with low ceilings marred by the occasional stray water leak. Ours, however, was an original room built with our 1936 house, so although it’s still as chilly as a wine cellar, it was built to code, with a regular ceiling and sans water leaks as far as we know. But it has its quirks. In the old days it served as a “rumpus room,” so instead of a closet there is a wet bar area with a flip-up wooden “bar counter” and vintage sink. And around the corner there is a separate toilet room, smaller than a phone booth, with just, well, a toilet. The walls are concrete, so we’ve painted them wild colors just to avoid the potential bunker-like ambiance.
Laurie and Hayley started their charming mother-daughter Outside Lands tradition when Hayley was graduating from high school. I fondly call these two “The Churchmice,” because when they stay downstairs we hardly know they’re here, as they spend all three days at the festival and refuse to so much as drink an ounce of our water lest they inconvenience us. Occasionally one of them pops upstairs to take a shower, but otherwise they come and go with the utmost of stealth.
Outside Lands is a three-day music, arts, and food festival held in Golden Gate Park. It never rains in San Francisco in August, so – unlike the great 1969 sludge-fest at Woodstock – the weather is not a potential problem. Most of the time it’s foggy, but sometimes the sun makes a quick and casual appearance, like a reluctant party guest. Security is tight. The whole thing is organized down to the most minute of details. Five beautiful stages are set up so that the sound from one never bleeds into the other. It’s eco-friendly. More than 80 local restaurants and food trucks offer everything from bacon flights to pork belly burgers to acai bowls to liquid creme brûlées to apple and wildflower honey melts (I have no idea what those are). This year marked the introduction of Grass Lands, which featured cannabis products for sale and inhalation/consumption. The Wine Lands area allows ticketholders to try wines from 125 different wineries; Beer Lands offers a similarly varied selection of craft brews. Attendees can listen to rock, pop, Americana, country, hip hop, comedy, lectures, and just about anything else that entertains. It’s always peaceful, despite the huge crowds of up to 90,000 a day.
I’d optimistically bought my Outside Lands tickets, back in May, because I was interested in the Lumineers (fairly contemporary), the Counting Crows (middle-aged dinosaurs), and Paul Simon (at 77, definitely an old dinosaur). But considering my unrelenting back problems, I now knew I couldn’t spend full days at the festival, and there are no in-and-out privileges. Seating is on the lawn (unless you’re rich enough to spend $1,600 for a la-di-da VIP ticket). So even if I were to attend only the three shows, I had no idea how I was going to sit on the cold hard ground, out in the fog, being jostled and trampled upon by harmless, happy, but potentially inebriated young festivalgoers.
Nevertheless, I prepared myself. I bought a small, light, clear plastic backpack, to adhere to the new bag policy imposed for security reasons. Heeding the advice of my friend Julie R., I also purchased an extremely lightweight L.L.Bean self-inflating seat cushion that came in its own tiny sack. Other than a bottle of water and a good fleece jacket, not much else was needed.
As luck would have it, the Counting Crows and the Lumineers were both scheduled for Friday night, on the same stage back to back (albeit with an hour’s break in between). Paul Simon, the closer, was slated for Sunday night.
Laurie and Hayley arrived mid-day on Friday, as they usually do, and we offered them a ride to the festival. When we dropped them off, Laurie apparently sprang quickly into action.
“Ok. So here’s the story,” she texted me a few minutes later. I’m not sure we were even home yet. “There are [ADA] wristbands that you can get issued. Still can’t figure out how to get that. But I went to the guy who is staffing the Twin Peaks stage and his name is Lee. He said that I just need to go right up to him and tell him my name and bring you and you can stay in the ADA section as long as you want. He’s worked that spot for 7 years. He remembers faces.”
She also, of course, sent a photo of the ADA section.
Now, ADA stands for the Americans with Disabilities Act, which regulates public accommodations for people with disabilities. The very idea that I could be in an “ADA section” startled me.
“But I can’t be in there,” I thought. “Not me. I don’t have a disability.”
After all, up until last October I was a fine physical specimen. Okay, I wasn’t a stud like my friends who run marathons, climb Mt. Everest, and hike Machu Picchu, but I was working out on the elliptical for half an hour every day and had even started walking to the beautiful Moraga steps – a 3-mile trip, plus 163 steps – to help strengthen my brittle bones. Yes, maybe now I have a painful and unbalanced sacroiliac that my doctor says looks like I had been through some sort of “trauma.” And yes, maybe now I can’t walk 50 steps without my back seizing up. But ADA accommodations are for old people and people in wheelchairs. Definitely not for me. Oh, no. I am far too young and strapping for that.
The Counting Crows were scheduled to play at about 7:00 on Friday night, and Julie drove me to the Outside Lands gate at the appointed time. Laurie, bless her heart, had told me that she’d meet me inside and escort me to the stage area. I don’t know whether it was because it was the opening night and the workers were all fresh as daisies, or whether it was because they were surprised to see an old lady all by herself, but every gate attendant looked at me with a huge smile and told me to have an absolutely wonderful time at Outside Lands. This was starting out well!
By this time, Laurie had already calculated that there were 3,200 steps from the gate to the Twin Peaks stage. She was ON it!
But she was also worried, I think, about how I’d make it that far over what I now call “rough terrain.”
“Can I ask you something?” she said. Whoa, I thought, she is immediately getting into a heavy discussion with me about something. Politics? Religion? Our personal lives?
“Of course,” I answered, expectantly.
“Is there a way we could get a ride on this if we get an ADA wristband?” Oops, she wasn’t talking to me at all. She had spotted some kind of transport vehicle and was finagling a seat for me with the driver.
“Sure,” the driver said, “I’m going up to the Twin Peaks stage anyway.”
I started to protest. “Oh, but I don’t have a wristband yet, and I don’t want you to have to wait for me.”
“Don’t worry, you can just get one near the stage. Hop in.”
Well, I didn’t exactly hop, but we did climb in, and the driver took off like a bat out of hell, flying over these big plastic humps that were set up every few feet, so hard that I flew up out of my seat each time we hit one, despite my desperate attempts at bracing myself. I was saved the 3,200 steps, but my sacroiliac got a most unwelcome jarring.
At the end of that wild ride we were let off right at the ADA viewing section and, as promised, Lee let us in immediately, no questions asked. (Wristbands were not provided anywhere, so that mystery continued.) The ADA platform was large, totally flat, and surrounded by a barrier, with perfect sightlines. A couple of helpers immediately put out folding chairs for us with (hooray!) backrests. All I needed was my handy inflatable seat cushion. And here’s the best part: a row of bathrooms was set up right there! So, unlike all the poor schlubs who had to trek from their crowded lawn areas when they had to pee, we had immediate access to restrooms! I could get used to this!
I looked around me. There were a few people in wheelchairs or with walkers or canes. But there were also folks like me, with no visible infirmity. Most of us were older, but there were pregnant women as well, along with a smattering of young people. My resistance and guilt began to ebb very quickly.
I puzzled over why the ADA area was so sparsely populated. Then I realized that most young people wouldn’t be caught dead in it. In fact, 11 months ago I wouldn’t have been caught dead in it!
This post isn’t about the music, but let me just say that I enjoyed both bands. I did think that Adam Duritz, the front man for the Counting Crows, took a few too many liberties with his own songs, not to mention that it took me a while to get over my shock at seeing Duritz and his hair looking like a middle-aged car mechanic wearing an oversized Siberian hat. But the Lumineers’ energetic performances of their pure and rustic folk tunes were sublime. Meanwhile, the mostly-young(ish) crowd was amicable and happy. Some of the attendees were a little loose in the gait, probably because they’d been drinking for the last 8 hours, but I saw no fights, nor did anyone appear to get sick. The only common faux pas seemed to be severely underdressed folks, partly because out-of-towners, in particular, don’t realize that a 75-degree day will quickly drop into a 50-degree sunset. I wore a shirt, fleece, and my heavy jacket.
Inexplicably, no ADA cart was available at the end of the Lumineers show, so I had to walk the 3,200 steps back to the exit, a portion of which was uphill on uneven “rough terrain,” which was a bit taxing. Parts of my sacroiliac that had been fine now started to join in the complaint chorus.
When I got home that night, I recounted to Julie all the things that Laurie had managed for me. “Well, she’s a mom,” Julie said. “Moms know how to take care of business.”
She was right. My mother, my sister, and all the other moms I’ve known – they’re resourceful and they get things done. They don’t fool around.
What is it that keeps me from being able to accept assistance gracefully? Part of it is pride. Even when I was most unlucky and impoverished in my younger years, it never occurred to me to ever file for unemployment or seek financial aid, although I certainly would have qualified. And now – a blue disabled placard? No. ADA support? Never.
But part of it is also denial. We get older incrementally; it doesn’t happen overnight. So it’s easy to cling to notions of what we used to be, even though the realities of time quite clearly refute those notions, if only we would take a hard look. It seems like just yesterday that I was floating gracefully above a defender’s outstretched hands, catching a spiral in the endzone as the first female wide receiver in NFL history. Oh, wait – that was just my fantasy for the first 40 years of my life.
Sigh. Every day I seem to drink the same pride-and-denial cocktail, with a liberal dash of stubbornness.
On Sunday night, Paul Simon closed out the festival on the main Lands End stage. It was located on the Polo Field, right at the entrance gate, so (thankfully) there were no 3,200 steps to walk. Laurie met me at the gate again, and this time I felt no shame sauntering into the ADA area. I was one of “them,” and I accepted it.
It was a clear night. Purple, blue, orange, yellow, and magenta lights flooded the trees. Paul Simon’s earnest, breezy voice lent a mellow tone to the closing hours of the festival.
Towards the end of the two-hour set he brought local boy Bob Weir up on stage with him. Weir, a former member of the Grateful Dead, played guitar and sang gamely along, although it was clear he wasn’t entirely prepared. The crowd sang, too. The song was “The Boxer,” one of my favorites.
I thought of the last time I saw Paul Simon, in May of 1973 at the War Memorial Opera House in San Francisco. After the show my friend Jeanne and I hung out at the stage door, hoping to spot Paul as he walked out. We were the only fans out there. That could never happen today, with increased security and every experience so “shared” that nothing is spontaneous and no scheme is ever kept under wraps. But it worked. When he came out, he walked right by me, inches away. By the way, his head came up to my shoulders – that’s how short the man is.
That night, Paul had added a new, beautiful verse to the end of “The Boxer”:
Now the years are rolling by me
The are rocking easily
I am older than I once was
And younger than I’ll be
But that’s not unusual
No, it isn’t strange
After changes upon changes
We are more or less the same
After changes we are
More or less the same
He’s sung that verse only a handful of times since that tour, and he didn’t do it at Outside Lands, but I’ve never forgotten it. My mind wandered and I thought about how I am most definitely older than I once was.
Decline is a funny thing. It sneaks up on you, and if you’re like me, when you ultimately realize it’s happening, you flail and rail against it. You do not go gently into your waning years.
But I’ve learned a great lesson. From now on, I will accept my limitations and work with them. And I will also accept that, by God, I’ve earned the right to allow others to help me when I deserve it. Besides, apparently age and physical impairments can get you into places. (Sometimes they can even get you a seat on the bus!)
I am also now extremely appreciative of the Americans with Disabilities Act, and of institutions like Outside Lands that provide boundless assistance to people with every kind of challenge.
Thank you, Laurie, for the many efforts you made on my behalf. And here’s a special shout-out to all the parents among us, of all ages, who just never stop takin’ care of business.
Due to popular demand, I am including, at the end of each blog post, the latest random diary entries that I’ve been posting on Facebook for “Throwback Thursday.” These are all taken absolutely verbatim from the lengthy diaries I kept between 1970 and 1987.
2/13/72 [age 16]:
“It’s a good thing Mom is a good finder, because I’m a good loser. Last year I had an attack because I lost my retainer downstairs and simply COULD NOT find it. Mom, knowing me, went down and looked in all the ridiculous places and found it sitting in the candy jar.”
4/7/72 [age 16]:
[NOTE: good grief, another list of things I loved!]
“It’s funny, but our capacity to love is not like a bucket or a bathtub, that eventually runs out and gets empty. It just keeps on coming. You can love so many people and so many things at once it gets confusing.
Bread [the band]
The absence of braces
Jeanne’s Australian tennis hat
Trying to think up another ingenius [sic] way to get out of class. (It’s getting difficult)
Cracker Jacks prizes
Being able to breathe correctly once in a while when hay fever chooses to leave me alone
Knowing that I won’t have to go through getting my tonsils out again
School (the people)
Occasional chances to drive
“The Fool on the Hill”
The beach, the beach, the beach . . . such a mystery
Baskin’s & Robbin’s
Looking at the stars (really)
Breakfast, lunch, and dinner
Knowing something worthwhile
“MacMillan and Wife”
The day when I’ll get down to 120 [pounds]
Going to movies with someone other than my family, but I never have the opportunity to
“And it did, and it does, and you’re cute!”
Sincere little boys
Babies (like the Dossa twins)
Anything cooked in egg and flour
Being young and immortal
Getting a ride home
Knowing that if I run away, someone will take me in
The word “yes” (I rarely hear it)
My cousins Carla and Lisa
Riding 9 million miles an hour [on a bike] down Suncrest
Knowing that I’m not the way I am because “everybody else is” (heh, heh, that’s for sure!)
That guy at Clear Lake who was always saying, “Me and Julio Down By the Schoolyard”
Mine and Jeanne’s dangling conversations
My holey tennis shoes
When I was feeling way down and Denise asked me to go with them to Stanford to get out of my rut – that was nice. (Guess what, I didn’t get to go!)
“Satisfaction” – Stones’ stuff
“Leaves of Grass”
Cool ’n Creamy
Drummers and more drummers
Chewing on thermoses
And of course RICHARD HARRIS!
4/9/72 [age 16]:
“I don’t why, but I suddenly got the urge to read Walt Whitman’s [book of poetry] ‘Leaves of Grass’ in its entirety. What a project!”
4/17/72 [age 16]:
“I was sitting in Civic class [on] Friday reading the poems [in Walt Whitman’s Leaves of Grass] when Mr. Bernert, who is without a doubt the most brilliant man I know, asked me what book I was reading and if it had been cleared with the social studies department, kiddingly. I showed it to him and he asked, “Why are you reading it?” and I said, “To be educated,” and he replied, “Better not, you’ll be all alone in the world.” That was serious. True, too. I love the way he combines humor with sincerity. Then he started talking to me about the [school] paper, and how he bet I got in trouble over [my editorial] on finals. I said yes, I did sure enough, and he laughed and said I was a “fuzzy-thinking, left-winged Communist extremist.” That cracked me up. He smiled that darling smile of his and I thought, with all the laughter and good nature he can be so wonderfully understanding. And then all of a sudden I just felt this warm love for him swell up, and I left feeling contented. Such great people you have made, God, thank you, and now I know just what you meant, Walt.”
4/18/72 [age 16]:
“In Physiology class today, [my lab partner] Robin and I moved to the table where Joe Turner and Dave Hale were. Joe suggested that we mix partners so the guys could do the dissecting, and I agreed with that, for sure! Now Robin is a little mad because she thinks that with guys as partners we aren’t going to learn anything!”